郎朗受国外YouTube频道France Musique的邀请，以面对镜头的方式向大家传授练琴秘诀。
讲解视频欣赏▼▼
No.1
学习钢琴的最佳年龄是从2岁到100岁
I think the ideal age from learning piano is from 2 to 100
曾经有一篇采访，大致是：一位80岁的外国老奶奶，在她60岁的时候她想学习小提琴，但是周围的亲朋好友都劝她“算了吧，你都60岁了；年纪大了就安享晚年吧；不要再折腾了…”
最后，她在这些劝阻之下放弃了这个想法。现在她说“如果当初我60岁学习小提琴的话，到今天我已经拉了20年的琴了。”
所以，只要你想学，条件允许。遵从自己的内心，不要在乎别人的看法。
只要你想学，什么时候都不算晚！
No.2
在初学阶段 练习一个小时就足够了
In the very beginning, I think one hour will be actually good
用20分钟 练一下基本功
and then you put like 20 minutes to the basic training,
用20分钟 练习一些短小的曲目
20 minutes to play some small pieces
然后再用20分钟 自由发挥 即兴弹奏
and then another 20 minutes try to improvise something on a piano
No.3
学钢琴最难的部分在于
The most difficult aspect for learning piano is
你的左右手是需要分开的
that you need to be separated between the right hands
因为这是训练你左右脑的方式
and the left hands because you know, this is how you train both brain.
当然经过大量练习后 这都不算事了
After that it should be easier, a lot of practice of course
No.4
二重奏和室内乐 是了解其他乐器的好方式
Duet and chamber music is the key to learn other instruments,
因此你应该要和歌手合作 让钢琴更像一个伴奏乐器
so you have to work with singers to make piano more like a singing
还要和弦乐演奏者合作
and then to work with the string players
与木管乐器、铜管乐器、打击乐器、吉他各种乐器一起
Then work with the woodwind, the brass, percussion, guitar,
这样乐曲才会更加丰富磅礴
and then the music becomes much bigger
No.5
照谱子弹琴是没灵魂的
So it’s not enough just typing the note,
演奏是关乎于你要去创造和再造什么的过程
it’s more like what you are you going to create or recreate
看着有些经久不息超过200年的乐谱
after those notes already existed more than 200 years old,
你要带着你的热忱和真挚到音乐创作中
some of the pieces and to bring your love and sincereness into the music making
让音乐变得更生动 有了色彩 有了感情
and to make music very lively with colors, with emotions,
有了不一样的心境带着更独特的个性和品味
with a different mood, with different characters, with different tastes
No.6
我认为我们需要一直保持住这股激情 让音乐热忱的火焰热热燃烧着
I think we always need to, for any pianist; we need to keep our passion and the flame for loving music always there
如果你连这种热情都保持不住
and if your passion is gone then
那么很遗憾一切都不复存在了
wellunfortunatelyeverything is gone.
因为信念和热情是成功的催化剂
So that is the engine of success
No.7
对我来说 音乐是可视化的
For me, I think music is very visual
当我们演奏的时候 想象这是一个多媒体屏幕
It needs to be thinking through like a multimedia screen when we are performing
不仅看着音乐的旋律
not only just looking at the music,
还要想着周围的一切
but also to think about what’s the surrounding
讲述着这个曲子背后的故事
and make some story behind the theme and how to get connect
怎样能和主旋律 主基调完美契合
to the main melodies, main voices from the piece
同时也要描绘出一幅图像 关于乐曲的情感曲线图
and then also to draw a kind of a picture, the emotion picture of the piece.
你需要找到曲线的顶峰在哪里 这是音乐的高潮部分 你得倾尽所有感情
So you need to find where is the top, you need to give everything the climax of the piece
在某种程度上 你是需要具备很多功能的
and so in way you had you have to be very multifunctional
No.8
你需要平衡考量一切 需要学术化
Music education needs to be balanced, very academic,
全部都要系统的培训
which everything needs to be very properly trained
换种说法我们每个人都能成为艺术家
In the same time, every one of us should be an artist
当然这种艺术训练 是一个更关乎于与不同的人一起
and the artistic training is more working with different people,
友好交流 分工合作
talking to people and playing different objects
共同学习的过程
and learning different subjects
这是另一种学习艺术的方式
and I think that’s another way of learning arts
并且 你的钢琴技能也会有着专业性的提升
and then you train professionally technique.
当这两个领域结合到一起
So that’s the two worlds are merged
也就是音乐教育应该有的样子了
and that’s how music education should be.
走向世界！卡丹萨”CADENZA”钢琴作为“意大利卢卡普契尼音乐节”官方唯一指定用琴！
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